In “Internal Landscape,” process is an integral part in its making. Using the method of automatic drawing, marks are expressed instantaneously — unedited. Drawing becomes an outlet for externalizing and bringing attention to the internal world. It’s a way of making room for one’s voice — when no one listens. It is a way of being seen and recognized. These marks are also transformed through a dialog between the artist and the work. The artist is present and “listens,” allowing the work to guide her and be what it wants to be.